- 深圳“未知城市”展:张永和《寻找帕拉迪奥》装置,探索理想城市空间
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11-03

自透视法诞生于15世纪的佛罗伦萨以来,这一技法在绘画领域的运用开启了文艺复兴时期的艺术巅峰。同时,理想城的概念也在这一时期与之相辅相成。意大利建筑师安德烈亚·帕拉迪奥与文森佐·斯卡莫奇在1585年合作设计的奥林匹克剧场,则将一点透视法首次运用到建筑空间中,开创了新的先例。
Since the birth of perspective in Florence in the 15th century, its application in the field of painting has ushered in the pinnacle of art during the Renaissance period. At the same time, the concept of Ideal City also complemented it during this period. The Olympic Theater, designed in collaboration between Italian architects Andrea Palladio and Vincenzo Scamoci in 1585, first applied the one point perspective method to architectural space, setting a new precedent.
寻找帕拉迪奥展览
Searching for Palladio Exhibition
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这次“未知城市”建筑装置影像展中,我们以奥林匹克剧场为灵感,并加以拓展,设计了空间装置“寻找帕拉迪奥”。我们希望通过这一装置,引发观众对人与城市空间关系的思考。
Inthis "Unknown City" architectural installation exhibition, we took inspiration from the Olympic Theater and expanded it to design a spatial installation called "Searching for Palladio". We hope to use this device to stimulate the audience's thinking about the relationship between people and urban space.







主体装置以舞台为原型的梯形观察箱体为中心,四个形态各异的楔形筒体创造出夸张的空间透视效果。观察口正对面是一组激发视觉陷阱的城市透视画,延续装置内抽象城市空间的同时,致敬透视法对绘画艺术的影响。当观众在观察口前移动时,抽象城市空间将通过多个一点透视的方式逐步呈现,并与透视画一同展示出多重、动态的理想城市空间。
The main device is centered on a trapezoidal observation box with a stage as the prototype, and four wedge-shaped cylinders with different shapes create an exaggerated spatial perspective effect. Across from the observation port is a set of urban perspective paintings that stimulate visual traps, continuing the abstract urban space within the installation while paying tribute to the influence of perspective on painting art. As the audience moves in front of the observation point, the abstract urban space will gradually be presented through multiple point perspectives, and together with the perspective painting, it will display multiple, dynamic ideal urban spaces.





装置中的一个筒体对准远处的垂挂装置,观众可以通过此筒体一窥奥林匹克剧场的原貌。同时,多个方位的开洞设计使观众有成为被观察者的可能。
One of the tubes in the device is aimed at the hanging device in the distance, allowing the audience to glimpse the original appearance of the Olympic Theater through this tube. At the same time, the design of multiple directional openings allows the audience to become the observer.


通过“寻找帕拉迪奥”装置,我们希望加深观众对城市空间的感知,引发他们对现实城市空间的思考与探索。
Through the "Search for Palladio" device, we hope to deepen the audience's perception of urban space and stimulate their thinking and exploration of real urban space.





项目信息
展览:未知城市:中国当代建筑装置影像展
Looking for Palladio in the Unknown City
地点:深圳坪山美术馆
主持设计师:张永和
设计团队:程艺石,柳超
木工团队:深圳西早工房
主体装置尺寸:3.7m(长)x 2.1m(宽)x 2.1m(高)
主要材料:轻钢龙骨/木夹板/丙烯喷绘
设计时间:2019年3月
展出讯息:深圳坪山美术馆(新馆)
展期:2019.3.30~2019.9.30
时间:上午9:00-下午17:00(下午16:30停止入场,免费开放,逢周一闭馆)
