©自由意志摄影工作室

过去我们讨论艺术，倡导生活需要艺术的融入。如今，每个追求品质生活的人们，都已意识到生活中艺术的重要性。然而，如何将艺术融入生活，构建属于自己的艺术日常？
正如海德格尔所说，艺术品的本质是揭示真理，以文化造物，既是设计更是艺术。
在不久前落幕的设计深圳盛会中，异开设计受FRAME之邀共同策划一场关于“Show”的展厅、与泡泡艺廊、Moooi、CASA BRAVA意美家、瑞士LAUFEN一起，探讨可持续背景下的艺术生活真谛。
In the past, we discussed art and advocated that life requires the integration of art. Nowadays, everyone who pursues a quality life has realized the importance of art in life. However, how to integrate art into life and build one's own artistic daily life?
As Heidegger said, the essence of art is to reveal truth and create things through culture, which is both design and art.
At the recently concluded design event in Shenzhen, Yikai Design was invited by Frame to jointly plan an exhibition hall about "Show", along with the Bubble Art Gallery Moooi, CASA BRAVA beautiful meaning and Switzerland LAUFEN together discussed the essence of art life in a sustainable context.

以一场“Show”，讨论日常与艺术的边界

Discuss the Boundary Between Daily Life
and Art through a "Show"

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#01艺术与生活的跨界，正藉由设计达成
The Cross border between Art and Life
设计是将艺术引入日常的重要媒介，设计师们将艺术精华转译在产品与空间中，成为我们可触达的，日常的一部分。设计前夕，异开设计与FRAME团队共同探讨策展的关键词：日常、艺术、可持续。基于此，引导观众思考。
家具可以是艺术品吗？艺术品可以具有日常功能吗？当代家具的收藏价值几何？
Design is an important medium to introduce art into daily life. Designers translate the essence of art into products and spaces and become a part of daily life that we can reach.On the eve of the design, Yikai Design and the Frame team jointly discussed the key words of curation: daily life, art, and sustainability. Based on this, guide the audience to think.
Can furniture be a work of art?Can artworks have daily functions?What is the value of collecting contemporary furniture?

©自由意志摄影工作室

©自由意志摄影工作室

©自由意志摄影工作室

用最日常的材料、测持续的材料，搭建一个艺术的“秀场”，为家具、瓷砖、洁具....这些我们日常生活中最常见的产品呈现先锋艺术化的表达。异开设计携手FRAME的策展团队，完成了本次展厅的设计与策展展品的规划。
Build an artistic "runway" using the most daily and continuous materials, for furniture, tiles, sanitary ware These most common products in our daily lives present avant-garde artistic expressions. Yikai Design collaborated with Frame's curation team to complete the design of the exhibition hall and the planning of curated exhibits.

©自由意志摄影工作室

在过去的传统展览中，观众习惯于挑选心仪的产品和家具。然而，本次展览设计打破常规，以“秀场”为核心理念，异开设计团队别出心裁地提出了一个设想：让家具“活”起来。家具不再只是静态的展品，而是被赋予了生命和个性。
当观众漫步在展览空间中，仿佛置身于一场家具界的时尚秀场。这里的家具不再是冷漠的物件，而是像人一样，能够感知并回应观众的存在。它们仿佛坐在观众席上，静静地观察着人们的每一个动作，每一个表情，甚至能够“读懂”观众对它们的喜好和兴趣。
In traditional exhibitions of the past, audiences were accustomed to selecting products and furniture that they admired. However, this exhibition design breaks the norm and takes "runway" as the core concept. The Yikai design team has come up with a creative idea: to make furniture "come to life". Furniture is no longer just a static exhibit, but is endowed with life and personality.
As the audience strolls through the exhibition space, it feels like they are in a fashion show in the furniture industry. The furniture here is no longer indifferent objects, but like humans, able to perceive and respond to the audience's presence. They seem to sit in the audience, quietly observing every movement and expression of people, and even being able to "understand" the audience's preferences and interests in them.

©自由意志摄影工作室

异开设计团队认为，这种“赋予家具生命”的概念不仅能为展览增添趣味性和互动性，还能让观众更加深入地了解和感受家具背后的设计理念和制作工艺。
在这个独特的展览中，观众将有机会与家具进行一场别开生面的“对话”，一场“Show”，走上天桥的却是参观者，在展厅的设计中，异开设计团队试图将“展”与“观”的二元调换，以一道亮眼的粉红天桥，串联展厅，邀请观者踏入秀场。
The Yikai design team believes that this concept of "giving furniture life" not only adds fun and interactivity to the exhibition, but also allows the audience to have a deeper understanding and experience of the design concepts and production processes behind furniture.
In this unique exhibition, the audience will have the opportunity to have a unique "dialogue" with furniture, a "show", but it is the visitors who walk on the overpass. In the design of the exhibition hall, the Yikai design team attempts to exchange the binary of "exhibition" and "observation", connecting the exhibition hall with a bright pink overpass, inviting visitors to step into the runway.

FRAME构架中文新媒体主编周三霞、异开设计&泡泡艺廊创始人毛桦、moooi品牌创始人Marcel Wanders 携手揭幕展厅©自由意志摄影工作室

在开展期间moooi品牌创始人，荷兰国宝级设计师Marcel Wanders来到展台。在Wanders看来创作应当尽可能多的创造价值，“价值”不仅在于经济价值，更在于带给人们的个性和意义。这与“艺术的本质是揭示真理”的理念不谋而合。在与异开设计的合作策展中，moooi系列产品大胆、幽默与艺术化的表达，也无疑激发了展厅设计的创作灵感。
During the launch, Marcel Wanders, the founder of the Moooi brand and a Dutch national treasure level designer, arrived at the booth. In Wanders' view, creation should strive to create as much value as possible. "Value" lies not only in economic value, but also in the personality and meaning it brings to people. This coincides with the idea that the essence of art is to reveal truth. In the collaborative curation with Yikai Design, The bold, humorous, and artistic expression of the Moooi series products undoubtedly inspired the creative inspiration of exhibition hall design.

展厅分析图

在展览中，引发观展者探讨最多的话题，除了精致的展品之外，就是展厅设计中所使用的独特面材——我们日常生活中再平常不过的纸质鸡蛋托。
当下艺术家使用重复利用材料创作现已成为一种趋势，这一特殊材料的使用，即是对可持续理念的回应，也是一场日常材质的艺术化探索。同时，也启发邀请人们更加自觉和有效地利用材料，让原本被丢弃的物品发挥更大的价值。
In the exhibition, the most discussed topic among visitors is not only the exquisite exhibits, but also the unique surface material used in the exhibition hall design - the most common paper egg tray in our daily lives.
It has become a trend for artists to use recycled materials in their creations. The use of this special material is not only a response to the concept of sustainability, but also an artistic exploration of everyday materials. At the same time, it also inspires and invites people to use materials more consciously and effectively, allowing previously discarded items to exert greater value.

©自由意志摄影工作室

虽然设计时间非常有限，但异开设计还是希望在有限的时间里打造出一些特色。选择鸡蛋托这一特殊材料，不仅顺应当前可持续发展的趋势，而且能够引发行业思考。异开设计将蛋托进行喷涂后，上墙拼装，借由蛋托正反两面不同的构造模式，让展厅墙面形成了错落有致的特殊肌理。结合大胆的色彩应用，令人印象深刻。
Although the design time is very limited, the variant design still hopes to create some unique features within the limited time. Choosing the special material of egg tray not only conforms to the current trend of sustainable development, but also can stimulate industry thinking. After spraying the egg tray with a different design, it is assembled on the wall. By using the different construction patterns on the front and back of the egg tray, the exhibition hall wall is created with a unique texture that is arranged in a staggered manner. Combining bold color applications, it leaves a deep impression.

©自由意志摄影工作室

此外，异开团队在策划秀场主题展厅时，做了一个较为大胆的色彩应用。在以“秀”为主题的环境中，家具被赋予了特殊的角色——作为静默的观众，它们关注的焦点在于“人的表现”。
为了凸显观众的中心地位，异开设计挑选了黑白2色的展品呈现反差中的聚焦。这种低调的色彩选择旨在引导观众更多地关注“人的表现”，而非被家具本身所分散注意力。家具在此成为了秀场中不可或缺但又不过于张扬的一部分。
In addition, the Yikai team made a bold color application when planning the theme exhibition hall for the runway. In an environment with the theme of "show", furniture is given a special role - as a silent audience, their focus is on "human expression".
In order to highlight the central position of the audience, Yikai Design has selected black and white two color exhibits to present the focus in contrast. This low-key color selection aims to guide the audience to pay more attention to "human expression" rather than being distracted by the furniture itself. Furniture has become an indispensable but not overly ostentatious part of the runway.

©自由意志摄影工作室

色彩的选择是设计团队逐步推导出来的，主题色选择了粉色，回应了泡泡艺廊与FRAME的品牌色彩，也与设计团队的个人喜好有关。另外在普世价值中，粉色被视为女性的代表色，在某种程度上蓝色更为男性化。黑色则配合屏幕展现中性的媒介意向。
The choice of color was gradually derived by the design team, and the theme color was pink, which responded to the brand colors of Bubble Gallery and Frame, and was also related to the personal preferences of the design team. In addition, in universal values, pink is considered the representative color of women, and to some extent, blue is more masculine. The black color complements the screen to display a neutral medium intention.

©自由意志摄影工作

蓝、粉、黑3个不同体块构成的展区中，沿“天桥”依次排布，展示着来自泡泡艺廊、Moooi、CASA BRAVA 意美家、瑞士LAUFEN 3个不同品牌的艺术化产品。为观者展现日常生活中使用的器具，亦可拥有艺术质感。
In the exhibition area composed of three different blocks: blue, pink, and black, arranged in sequence along the "overpass", it showcases the art from the Bubble Gallery Moooi, CASA BRAVA beautiful meaning and Switzerland LAUFEN are artistic products of three different brands. To showcase the tools used in daily life to viewers, and also to have an artistic texture.

©自由意志摄影工作

每个踏入展厅的人们，或是驻足留影，或是交流探讨，此刻停留的观者成为秀场的主角，展品则成为启发与探讨的引子。
Every person who steps into the exhibition hall, either stops for photos or exchanges ideas, becomes the protagonist of the show, while the exhibits become the inspiration and discussion points.

展览现场 ©自由意志摄影工作

#02历时13天的极限挑战
Extreme Challenge
似乎诸多展会展览，都会面临在极短时间内头脑风暴并落地实施的挑战，这一次也不例外。
从接到策展邀约到展厅搭建落地，一共13天的时间，留给异开设计的时间仅有几天。在这几天里，对异开团队来说设计构思、材料选择及搭建落地，每一步都是极具挑战的存在。
设计团队与策展团队紧密配合，在敲定策展主题后，快速的拉通了展厅的呈现形式。异开设计创始人毛桦笑称犹如做了一次极速快题。没有多年的设计积累，无法达到极限一刻的爆发。
It seems that many exhibitions and exhibitions will face the challenge of brainstorming and implementing in a very short period of time, and this time is no exception.
From receiving the curation invitation to the construction and landing of the exhibition hall, there were a total of 13 days, leaving only a few days for the design of the Yikai. In these days, every step of design conception, material selection, and construction landing has been a highly challenging task for the Yikai team.
The design team and curation team worked closely together and quickly streamlined the presentation format of the exhibition hall after finalizing the curation theme. Mao Hua, the founder of Yikai Design, joked that it was like doing an extremely fast problem. Without years of design accumulation, it is impossible to reach the ultimate moment of explosion.

©自由意志摄影工作

©自由意志摄影工作

©自由意志摄影工作

©自由意志摄影工作

©自由意志摄影工作

由于采用了特别的非标饰面材料，展厅在落地阶段也充满挑战。毛桦聊起建造过程，她说：“我们并没有明确告诉工人们（鸡蛋托）哪一块是正面哪一块是反面，而是让他们在安装时自由发挥，一同参与到设计中，这个共创过程很有趣。”
Due to the use of special non-standard decorative materials, the exhibition hall is also full of challenges during the landing stage. Mao Hua talked about the construction process and said, "We didn't explicitly tell the workers which part of the egg tray was positive and which part was negative. Instead, we allowed them to freely participate in the design during installation. This collaborative process was very interesting."

展厅搭建现场 ©自由意志摄影工作

展厅搭建现场©自由意志摄影工作

展厅搭建现场©自由意志摄影工作

展厅搭建现场©自由意志摄影工作

展厅搭建现场©自由意志摄影工作

“一开始，当他们被给予空间去发挥时，依然固化的去寻找棋盘式的安装规律。但后来，我们告诉他们放轻松随意一点，没想到最后出来的效果反而有惊喜。实际上，每个环节的建造工人都参与到了设计中，他们的参与让设计更加有趣。”

或许这样共创的过程，也是另一种日常的艺术。
"At first, when they were given space to play, they still solidified their search for a chessboard style installation pattern. But later, we told them to relax and be more casual, and we didn't expect the final result to be surprising. In fact, the construction workers at each stage participated in the design, and their participation made the design more interesting."
Perhaps this process of co creation is also another form of daily art.

#03当代家具的收藏价值几何
The Collection Value of Furniture
本次展览试图探讨艺术品与日常家具的边界，展览中，也展出了毛桦与艺术家蔡赟骅合作的长凳，而在她看来家具是否具有收藏价值这一议题涵盖的范畴非常广。一是以时间为范畴来看，一件家具要成为具有收藏价值的艺术品，是需要通过时间来检验的。
This exhibition attempts to explore the boundary between art and everyday furniture, and also showcases the bench that Mao Hua collaborated with artist Cai Yunhua on. In her opinion, the topic of whether furniture has collectible value covers a wide range. From the perspective of time, in order for a piece of furniture to become a collectible artwork, it needs to be tested through time.

©自由意志摄影工作

它的艺术价值也许不能在当下完全被市场“读懂”，但是经过时间的沉淀，十年、二十年以后，人们依然喜欢并视为珍品，才能成为可收藏的艺术品。就像明式家具或古董，它们代表着时间积淀，在设计整体的形体没有问题的情况下，就能被收藏。
Its artistic value may not be fully understood by the market at present, but after the sedimentation of time, people still like and regard it as a treasure ten or twenty years later, in order to become collectible artworks. Just like Ming style furniture or antiques, they represent the accumulation of time and can be collected as long as the overall shape of the design is not a problem.

©自由意志摄影工作

©自由意志摄影工作

另一个范畴是关于我们怎么去定义艺术品，因为每个人的眼光不同。毛桦认为原创的概念也非常重要，以moooi为例，它们的灯具和椅子，特别是Marcel设计的碳纤维椅，在设计上具有独特的艺术张力。他把碳纤维这种高科技材料创新应用在家具设计中，这些新颖的概念和尝试，使其不仅成为视觉和功能相结合的艺术品，还能引发人们对原创与设计本质的思考。
Another category is about how we define art because everyone has different perspectives. Mao Hua believes that original concepts are also very important. Taking Moooi as an example, their lighting fixtures and chairs, especially Marcel's carbon fiber chairs, have a unique artistic tension in their design. He innovatively applied carbon fiber, a high-tech material, in furniture design. These innovative concepts and attempts not only make it a visual and functional work of art, but also stimulate people's thinking about the essence of originality and design.

©自由意志摄影工作

除了设计师的身份，毛桦同样是泡泡艺廊的主理人，多年以来对高端家居市场中，消费者对品牌和艺术的认知变化有着独到的观察。
毛桦谈到：“站在泡泡艺廊的角度来看，在2011年左右的初创期，品牌推广是比较艰难的。当时，富人阶层更倾向于购买豪车、豪宅和名表等品牌商品，对家具的投资很少。他们认为家具的价格并不需要太高，更倾向于自己熟悉的大牌。在这种情况下，泡泡艺廊品牌经营起来颇为艰难，大众对其认可度较低。
In addition to her role as a designer, Mao Hua is also the manager of the Bubble Art Gallery. Over the years, she has had unique observations on the changes in consumer perception of brands and art in the high-end home furnishing market.
Mao Hua said, "From the perspective of the Bubble Gallery, brand promotion was quite difficult in the early stages around 2011. At that time, the wealthy class was more inclined to purchase luxury cars, mansions, and watches, and invested less in furniture. They believed that the price of furniture did not need to be too high, but rather preferred well-known brands. In this situation, the operation of the Bubble Gallery brand was quite difficult, and the public's recognition of it was relatively low.".

©自由意志摄影工作

随着社会的进步，这些高阶人群开始逐渐接受小众品牌，但也只选择大牌家具，他们认为大牌家具更能彰显身份和地位。后来，设计师开始引导他们，提醒他们不要一味地追求大牌，混搭家具和投资艺术品或许是个更好的选择。泡泡艺廊希望高端市场能够凸显个体的特点，不一定要和别人一样，他们要拥有真正属于自己的艺术品和定制化的家具。
而投资艺术品在当今社会已经成为一种趋势，它们在家的设计中的比例应该会逐渐增加，我觉得未来艺术品投资市场会繁荣起来的，这是不可避免的，艺术品不仅承载了文化，也体现了主人的品位和喜好。”
With the progress of society, these high-end groups are gradually accepting niche brands, but they only choose big brand furniture. They believe that big brand furniture can better showcase their identity and status. Later, designers began to guide them, reminding them not to blindly pursue big brands. Mixing furniture and investing in art may be a better choice. Bubble Art Gallery hopes that the high-end market can highlight individual characteristics, not necessarily like others, they need to have their own truly unique artworks and customized furniture.
"Investing in art has become a trend in today's society, and their proportion in home design should gradually increase. I think the art investment market will prosper in the future, which is inevitable. Art not only carries culture, but also reflects the owner's level and preferences."

©自由意志摄影工作

在探讨设计与艺术、品味、品质之间的关系时，毛桦认为，这三者虽然各自独立，但却相互关联，在家居设计中散发着独特的魅力。
When exploring the relationship between design and art, taste, and quality, Mao Hua believes that although these three are independent, they are interrelated and emit unique charm in home design.

©自由意志摄影工作

“即使一个人对艺术有深入的了解，这也不代表他就拥有高品味或高品质的生活。品味与艺术虽然相关，但它们是两个独立的概念。同样，即使我过着高品质的生活，也并不意味着我就是一个艺术家或者有着超凡的品味。有时候，我选择某样东西并不是因为它是一件艺术品，而是因为它符合我追求的其他特质或元素。因此，我们需要清晰地理解和区分这三者，以更好地把握艺术与生活品质之间的关系。”
"Even if a person has a deep understanding of art, it does not mean they have high taste or a high-quality life. Although taste and art are related, they are two independent concepts. Similarly, even if I live a high-quality life, it does not mean that I am an artist or have extraordinary taste. Sometimes, I choose something not because it is a work of art, but because it conforms to other traits or elements that I pursue. Therefore, we need to understand and distinguish these three clearly to better grasp the relationship between art and quality of life."

项目信息--

策展团队：FRAME构架

设计团队：异开设计EK Design

展品品牌：泡泡艺廊PP Design Gallery、Moooi、CASA BRAVA 意美家、瑞士LAUFEN