2024 年 11 月 10 日起，和美术馆（HEM）呈现博斯科·索迪（Bosco Sodi）迄今为止于亚洲举办的最大规模个展“旷野之外”。展览由和美术馆与艺术家共同策划，展示艺术家涵盖绘画、雕塑及场域特定装置等在内的的百余件作品。展览将索迪的作品置于和美术馆建筑内外，通过地域、空间与作品的互动重新诠释艺术家取材自然旷野，以身体的介入将天然物质升华的创作哲学。
Starting from November 10, 2024, the HEM will present Bosco Sodi's largest solo exhibition "Beyond the Wilderness" held in Asia to date. The exhibition is jointly planned by the art museum and the artist, showcasing over a hundred works by the artist, including paintings, sculptures, and site-specific installations. The exhibition places Soddy's works inside and outside the art museum building, reinterpreting the artist's creative philosophy of using natural wilderness as a source of inspiration through the interaction of region, space, and works, and elevating natural materials through the intervention of the body.

博斯科·索迪个人展《旷野之外》

Bosco Sodi Solo Exhibition · "Beyond the Wilderness"

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博斯科·索迪 1970 年生于墨西哥城，其后旅居巴黎、巴塞罗那及日本等地，现工作生活于纽约及墨西哥瓦哈卡。索迪的作品以木屑、黏土与火山岩为材料，从天然物质的粗粝与原始中发掘自然的能量。他的大型单色木屑画及黏土雕塑仅以双手创作，不借用任何工具。创作中的身体由此成为材料与精神间的导体，为平凡的物质注入灵韵。在近期的实践中，艺术家以鲜明的彩色或纯金直接为火山岩及黏土雕塑上釉，使厚重的天然材料呈现不存在于自然的色泽，仿佛古玛雅文明的石碑一般显现出超越时间的神性。
Bosco Sodi was born in Mexico City in 1970 and has since lived in Paris, Barcelona, and Japan. He currently works and lives in New York and Oaxaca, Mexico. Soddy's works use sawdust, clay, and volcanic rock as materials to excavate natural energy from the roughness and primitiveness of natural substances. His large monochrome sawdust paintings and clay sculptures are created solely with his hands, without using any tools. The body in creation thus becomes a conductor between material and spirit, injecting spiritual charm into ordinary matter. In recent practice, artists have directly glazed volcanic rocks and clay sculptures with vivid colors or pure gold, presenting a color that does not exist in nature to the heavy natural materials, like the stone tablets of ancient Maya civilization, showing divinity beyond time.

此外，崇尚缺陷美的侘寂美学对索迪的创作理念影响颇深。创作过程中的偶然性与时间在作品上留下的痕迹也因此成为其作品极为重要的组成部分。索迪的黏土雕塑大多制作于他位于墨西哥瓦哈卡的工作室，与当地工匠合作，仅以泥土与水、沙混合，手工塑形，在阳光下自然风干后以传统方式烧制而成。每件雕塑均拥有独一无二的肌理与裂隙，并随着时间的流逝与周围环境融合。
In addition, the wabi sabi aesthetic, which advocates the beauty of flaws, has had a profound influence on Sodi's creative philosophy. The randomness and traces left by time in the creative process have therefore become an extremely important component of his works. Sodi's clay sculptures are mostly made in his studio in Oaxaca, Mexico, in collaboration with local craftsmen. They are handcrafted by mixing soil with water and sand, and then fired in a traditional way after natural drying in the sun. Each sculpture has a unique texture and crevice, and blends with the surrounding environment over time.

受此启发，艺术家将在本次展览中呈现一组于佛山现存最古老的龙窑——南风古灶烧制的场域特定装置。南风古灶龙窑始建于明朝正德年间，是世界上现存年代最为久远，且仍在使用的柴窑之一。该装置由数千件当地粗制陶泥烧制而成的砖块组成。柴烧过程中产生的自然落灰与多变的温度使每件砖块均生成不同的色彩、纹理与釉色。手工技艺与自然材料在此和谐而不失随机的互动正呼应了索迪的创作哲学。
Inspired by this, the artist will present a set of site-specific installations fired in the Nanfeng Ancient Stove, the oldest existing dragon kiln in Foshan, in this exhibition. The Nanfeng Ancient Kiln was first built during the Zhengde period of the Ming Dynasty and is one of the oldest surviving and still in use firewood kilns in the world. The device is composed of thousands of bricks fired from local rough clay. The natural ash and variable temperature generated during the wood burning process result in each brick producing different colors, textures, and glazes. The harmonious yet random interaction between manual craftsmanship and natural materials echoes Soddy's creative philosophy.

秋雨淋淋，日光变幻。在远离旷野的和美术馆，索迪的作品被置于安藤忠雄所设计的极简主义建筑空间内外，仿佛一座座无字碑，岿然铭记大地与人类逾越千年的共生。
Autumn rain falls and the sunlight changes. In the remote wilderness of the He Art Museum, Sodi's works are placed inside and outside the minimalist architectural space designed by Tadao Ando, like wordless monuments, firmly commemorating the coexistence of the earth and humanity for over a thousand years.

▽ 展览海报

项目信息--

名称：博斯科·索迪：旷野之外

展期：2024 年 11 月 10 日– 2025 年 2 月 28 日

地址：广东省佛山市顺德区北滘新城美和路 6 号