景德镇瓷村私人博物馆设计案例 - 传统与现代结合的展览与茶歇空间设计-展集网

景德镇瓷村私人博物馆设计案例 - 传统与现代结合的展览与茶歇空间设计: 11-11

项目背景 | Project Background
项目坐落于千年瓷都景德镇，几言受私人业主委托，为其在自己的办公园区内打造一个私人珍藏器皿的小型博物馆，作为收藏展示及贵宾接待茶歇宴客的一个安静场所。
The project is located in Jingdezhen, the millennium porcelain capital. Ji Yan was commissioned by a private owner to create a small museum of personal collection vessels in their own office park, as a quiet place for collection, exhibition, and VIP reception, tea breaks, and banquets.

景德镇 · “瓷村”私人博物馆

Jingdezhen "Porcelain Village" Private Museum

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设计分析 | Design Analysis
设计的场地是业主的办公园区内部，场地对外进入的交通方式是一部外挂电梯，同时内部空间梁柱交错，窗户大开大合，在一个尺度不大的单层空间，进入感受一览无余。在面积受限，大开大合园区空间中，我们思考如何将其转译成安静内敛兼具丰富层次的展览及接待功能，同时兼顾茶器皿的文化属性。希望未来的空间能满足丰富的场景体验，可游，可展，可接待的综合性场所。
The design site is located inside the owner's office park, and the external transportation method is an external elevator. At the same time, the internal space is staggered with beams and columns, and the windows are wide open and closed. In a small single story space, the entry experience is unobstructed. In the limited space of the large open and closed park, we are considering how to translate it into a quiet and introverted exhibition and reception function with rich levels, while also taking into account the cultural attributes of tea utensils. I hope that the future space can meet the needs of rich scene experiences, comprehensive places that can be visited, exhibited, and received.

设计概念 | Design Concept
通过对景德镇的大量走访、调研。我们看到了大量器皿背后的故事，这种千年的文化积淀是高于器皿本身的价值。设计师希望以瓷器制作的工艺为思考，将制瓷工艺场景抽取原型。将物与空间关联，传递出微妙的精神与感受。这个小博物馆不仅是单一的器皿展览空间，希望延续一个瓷器精神的场域，一个将传统与现代美学结合的完整空间，如同一个精巧瓷器工坊小村落。通过丰富的变化的路径，将外廊，窑口，工坊，庭院，凉亭等多种形态的空间原型串联起来，不同的场景对着不同的心里感受，一步一景，一景一感受。这是一个微缩的瓷器“小村落”，我们将项目取名为“瓷村”。
Through extensive visits and research to Jingdezhen. We have seen the stories behind a large number of vessels, and this millennium cultural accumulation is more valuable than the vessels themselves. The designer hopes to take the porcelain making process as a thinking point and extract prototypes of porcelain making process scenes. Linking objects with space, conveying subtle emotions and feelings. This small museum is not only a single exhibition space for vessels, but also hopes to continue a field of porcelain spirit, a complete space that combines traditional and modern aesthetics, like a small village of exquisite porcelain workshops. By connecting various forms of spatial prototypes such as corridors, kiln entrances, workshops, courtyards, pavilions, etc. through rich and varied paths, different scenes can evoke different feelings in the heart, step by step, one scene by one. This is a miniature porcelain 'small village', and we will name the project 'Porcelain Village'.

“外廊” | The outer corridor
首先进入空间，我们建立一个恰巧遮盖视野的半墙，既化解进入一览无余的不利同时营造一个如同进入工坊的外廊体验，是进入的序厅，行走在窄长的廊道中，踏过听步，当阳光透过朦胧的纱帘，光影洒落在墙面上，心也就安静下了。
Firstly, as we enter the space, we construct a half wall that happens to cover the view. This not only resolves the disadvantage of having a clear view, but also creates an external corridor experience similar to entering a workshop. It is the prelude to entering, walking in the narrow and long corridor, taking a listening step, and when the sunlight passes through the hazy curtains, the light and shadow fall on the wall, and the heart becomes quiet.

“窑口” | Kiln Mouth
廊的端头连接一个巨大漂浮的方形空间，是整个展厅的重要中枢。进入内部却是巨大反差的，我们营造一个如同窑的腔体空间，同时腔体内部有不同角度的细小洞口，可以隐约窥见其它功能区，在内部是惊喜的让人好奇，腔体的上方结合星空灯光，加之未来不同年份的瓷片收藏会环绕腔体一一展现，定制的透明压力圆盘，瓷片如同漂浮半空，是神秘的感知开始。
The end of the gallery connects to a huge floating square space, which is an important hub of the entire exhibition hall. Entering the interior, there is a huge contrast. We create a kiln like cavity space, with small openings at different angles that allow for a glimpse of other functional areas. Inside, it is surprising and curious. Above the cavity, starry sky lights are combined, and future porcelain collections from different years will be displayed around the cavity one by one. Customized transparent pressure discs make the porcelain pieces float in mid air, creating a mysterious perception.

“工坊” | Workshop
我们追溯制瓷工坊的本源，在空间中植入一个工坊屋舍，我们不希望是对传统建筑形式的简单复制，通用研究优化，希望它稳重又轻巧且能传递记忆感。设计选用日常较容易获得铁管进行构建，不同尺寸的钢管精确组合，加之表面锈化工艺处理，最后呈现的颜色很陶土又简洁。屋舍提供了场域精神，同时结合多种展陈形式，值得一提的是我们将传统户外晒坯架进行转移，展架层层进退，可以满足大量小器皿的展示，未来这里将来是业主私人重要的器皿的收藏处，是充满空间感知的庇护所。
We trace the origin of the porcelain workshop and implant a workshop building in the space. We do not want it to be a simple replication of traditional architectural forms, but rather a general research and optimization. We hope it is stable, lightweight, and able to convey a sense of memory. The design uses commonly available iron pipes for construction, with precise combinations of steel pipes of different sizes, combined with surface rust treatment, resulting in a color that is both ceramic and simple. The house provides the spirit of the field and combines various exhibition forms. It is worth mentioning that we have transferred the traditional outdoor drying rack, and the exhibition rack advances and retreats layer by layer, which can meet the display of a large number of small vessels. In the future, this place will be a collection place for important private vessels of the owners, and a shelter filled with spatial perception.

“庭院” | The courtyard
空是空间的品质，半墙和工坊之间，我们挤出一个中尺度的空旷区域，沿着墙体布置着展览物，挨着屋舍我们打造水泥浇筑的巨型长桌，长桌平日是展台，即可游亦可展。有宾客到来时，可八九好友，是品茶交流的区域，如同置身露天的院落中，松弛又宁静。
Emptiness is the quality of space. Between the half wall and the workshop, we create a medium-sized open area and arrange exhibition materials along the wall. Next to the house, we create a giant cement poured long table, which is usually used as a booth for both sightseeing and exhibition. When guests arrive, there are eight or nine friends, which is an area for tea tasting and communication, like being in an open-air courtyard, relaxed and peaceful.

“凉亭” | The pavilion
在整个展馆的角落，安置了小凉亭，尺度不大恰到好处。提供主理人休息及两三好有密聊，做法上延续工坊的做法，希望整体空间既多元又保持一定统一性，我们运用铁钢绣化工艺结合半透的云丝板，最后营造的氛围是安静的且朦胧，小凉亭中大家席地而坐，一切都安静了。
In the corners of the entire exhibition hall, small pavilions were placed, with a small scale that was just right. Providing a break for the host and a private conversation for two or three people, we continue the workshop's approach and hope that the overall space is both diverse and unified. We use iron and steel embroidery technology combined with semi transparent cloud silk boards to create a quiet and hazy atmosphere. Everyone sits on the ground in the small pavilion, and everything is quiet.

路径.串联记忆 | Route. Linking memories
空间中我们建立了精巧丰富的路径，路径串联变换的场景，路径中我们植入传统制瓷工坊的多个场景原型，场景对应物品，试图通过空间唤起记忆。一步一景化解场地尺度不大的场所感受，空间变得层次丰富，如同在小村子里游走，加强感知体验。在不大的场地中能否将空间本身融入成展览文化的一部，也是我们此次重要的思考命题。
In the space, we have established intricate and rich paths, connecting and transforming scenes. In the paths, we have implanted multiple scene prototypes from traditional porcelain workshops, corresponding to objects, in an attempt to evoke memories through space. Step by step, the scenery resolves the feeling of small-scale places, making the space more layered, like wandering in a small village, enhancing the perceptual experience. Whether the space itself can be integrated into the exhibition culture in a small venue is also an important topic for our thinking this time.