©Satoshi Asakawa

在世田谷文学馆举办的插画家安西水丸展览的场地设计。我想到了一个能够传达艺术家对事物的看法和母题的制作方法的空间。
Venue design for the exhibition of illustrator Anzai Mizumaru at the Setagaya Literature Museum. I thought of a space that can convey the artist's perspective on things and the production method of the motif.

世田谷文学馆的“插画家安西水丸展”

"Illustrator Anzai Mizumaru Exhibition"at the Setagaya Literature Museum

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展览室最初是为常设展览而建的，已经有一个典型的较低的天花板和一个大型的不可移动的玻璃柜作为决定空间的元素。认为忽视这一点不会充分发挥空间的潜力，所以我沿着较低的天花板线建造了一堵墙，创建了空间中最大高度的墙，并在玻璃柜周围创建了一个开口。在保持空间开放的同时建造墙壁，我们考虑吸收不协调感，融入现有的特色元素，创造最小和最大的效果。
The exhibition room, originally built for the permanent exhibition, already has a typically low ceiling and a large immovable glass cabinet as the space-determining element. I figured that ignoring this wouldn't allow the space to its full potential, so I built a wall along the lower ceiling line, creating the wall with the greatest height in the space, and creating an opening around the glass cabinet. Building walls while keeping the space open, we considered absorbing incongruity, incorporating existing feature elements, and creating minimal and maximal effects.

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

通过打开各种开口并将轮廓剪成大纸，不仅创造了一种有趣的世界观，而且在一个排列着500多件小作品的展览中也很好地体现了这一点。放松注意力。
By opening various openings and cutting outlines into large paper, not only an interesting view of the world is created, but it is also well represented in an exhibition lined with more than 500 small works. Relax your focus.

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

水丸制作插图的方法是画一条线，在其上放一层透明薄膜，然后剪下并粘贴彩色纸。借鉴这种方法，我剪下并粘贴插图，像工艺品一样构建空间。我觉得这个行为本身创造了空间和作品之间的和谐。
Water pills make illustrations by drawing a line, putting a clear film over it, then cutting and pasting colored paper. Borrowing from this method, I cut and paste the illustrations to construct the space like a craft. I feel that the act itself creates harmony between the space and the work.

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa

©Satoshi Asakawa