Chronos XXI：时间之神克罗诺斯的动态媒体装置与AI艺术解析

克洛诺斯是时间之神，永久毁灭又重建。他象征着消逝与回归，是动态媒体装置《Chronos XXI》创作的主题出发点。这件作品是我们的创意总监 Joachim Sauter 的“古代手指练习”，是他在罗马马西莫别墅居住期间创作的。
Cronus is the god of time, permanently destroyed and rebuilt. He symbolizes disappearance and return, and is the thematic starting point for the creation of the dynamic media installation "Chronos XXI". This piece is "Ancient Finger Exercises" by our Creative Director Joachim Sauter, created during his residency at Villa Massimo in Rome.

时间之神 CHRONOS XXI

God of Time CHRONOS XXI

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钟摆在监视器前不断摆动。这个动作控制着显示器上 Chronos 描绘的缓慢合成和破坏。文艺复兴后期、巴洛克和古典主义画家对克罗诺斯有不同的诠释——作为一个脱去维里塔斯衣服的人，作为一个不稳定的音乐表演者，或者对接丘比特的翅膀，或者作为孩子和吃庄稼的孩子，拿着镰刀和沙漏，长着胡子和翅膀的老人。
The pendulum swung constantly in front of the monitor. This action controls the slow composition and destruction depicted by Chronos on the monitor. Late Renaissance, Baroque and Classicist painters interpreted Cronus differently - as a man stripping Veritas, as an erratic musical performer, or butted on Cupid's wings, or as a child And children eating crops, old men with scythes and hourglasses, beards and wings.

除了这些历史描述之外，还会出现新生成的图像。为此，人工智能的神经元网络接受了历史悠久的 Chronos 绘画的训练。由此产生的超时空“幻觉”被输入到连续的图像流中。
In addition to these historical descriptions, newly generated images appear. To this end, the artificial intelligence's network of neurons was trained on the time-honored Chronos painting. The resulting "illusion" of time and space is fed into a continuous stream of images.

偶尔，克罗诺斯的对应者凯罗斯（Kairos）代表时间中的一个时刻，会溜进来并打断关于存在的恒定节奏的绘画冥想。
Occasionally, Kairos, Kronos' counterpart, representing a moment in time, slips in and interrupts the pictorial meditation on the constant rhythm of existence.